Best Free Alternative Script Font

benomotion November 1, 2019 0

Alhamdulillah. Ditulisan ketiga, saya akan berbagi sejumlah font script pilihan yang cukup menjadi alternatif bagi teman-teman desainer grafis dalam mendesain.

Terkadang, seorang desainer mengalami kegalauan dalam memilih font script yang cocok dalam mendesain, entah belum menemukan font yang pas, atau mungkin karena banyaknya pilihan di internet yang membuat diri kesulitan dalam memilih.

Semoga bermanfaat.

“Jika anda merasa artikel ini bermanfaat, mohon di share agar manfaatnya lebih besar.”
– Penulis

Sacramento

credit: www.1001fonts.com

The Sacramento typeface is a monoline, semi-connected script inspired by hand-lettering artist brochure work of the 1950’s and 1960’s. It stands on a thin line between formal and casual lettering styles, yet it has a commanding presence for headlines and titles.

Hello Stockholm

credit: Mats-Peter Forss

Introducing a lovingly handmade new typeface, Hello Stockholm! A fun and imperfect modern brushed script font with a tough of uniqueness driven by Scandinavian minimalism. Design like a professional with this typeface that fits perfectly for your wedding invitations, street ads, Instagram posts, t-shirt design, branding, and much more. This font is heavily inspired by modern branding where you combine a beautiful script with a perfectly fitting sans serif font.

Rochester

credit: www.1001fonts.com

On the town with the latest sensation they call Rochester! This dapper fresh face is dressed to the nines and ready for action! Inspired by elegant calligraphic forms from the early age of Victorian and Art Deco, Rochester is the perfect selection when you want to add a touch of class or a smart looking formal style to any correspondence or memorandum!

Great Vibes

credit: www.1001fonts.com

Great Vibes is a beautifully flowing connecting script. It has cleanly looping ascenders and descenders as well as elegant uppercase forms.

Salmela

credit: Genesislab

Introducing Salmela – A beautiful hand lettering calligraphy typeface from Genesislab.

This flowing script is perfect for creating wedding invitations, signatures, letterheads, logos, T-shirts, and everything in between.

Carosello

credit: www.cufonfonts.com

This hand-made kit brings back the style of 1950s with vector quality!!!

Create outstanding 1950s vintage designs or ads in a matter of seconds.

Kaushan

credit: www.1001fonts.com

Kaushan Script feels like writing quickly with an inked brush.

When making digital typefaces, the more you refine the shapes of the letters, the more energy you take away from them. Because of that, Kaushan is unrefined – and carries a lot of energy.

By avoiding typographical perfection, it stays more natural. The angles of the vertical strokes vary a little, and the positioning along the baseline jumps around, giving it a more rustic and natural feeling.

Kaushan

credit: www.1001fonts.com

Grand Hotel finds its inspiration from the title screen of the 1937 film “Cafe Metropole” starring Tyrone Power. This condensed upright connecting script has a classic vibe to it. It has a wonderful weight to it that feels subtly tied to Holiday and Bakery themed designs, even though it can work outside that genre.

Dancing Script

credit: www.1001fonts.com

Dancing Script is a lively casual script where the letters bounce and change size slightly. Caps are big, and go below the baseline.

Dancing Script references popular scripts typefaces from the 50’s. It relates to Murray Hill (Emil Klumpp. 1956) in his weight distribution, and to Mistral (Roger Excoffon. 1953) in his lively bouncing effect.

Best Free Serif Font Family

benomotion November 1, 2019 0

Assalamu’alaikum. Rasanya kurang lengkap jika saya tidak meneruskan tulisan kemarin yang berjudul “Best Free Sans Font Family”, tanpa diimbangi oleh tulisan ini (artikel berbagi font serif terbaik). By the way, saya sengaja menulis judul menggunakan bahasa inggris agar lebih banyak lagi para pembaca yang menemukan artikel ini.

Alhamdulillah atas nikmat waktu yang ada, hari ini saya akan share sejumlah font serif terbaik menurut Iqrologo. Sama seperti sebelumnya, font dipilih karena memiliki variant yang menawarkan banyak opsi:

  • Regular
  • Bold
  • Light
  • Italic
  • UPPERCASE
  • lowercase
  • Numeric
  • Symbol

Pada umumnya, font serif memiliki kesan elegant yang sangat cocok untuk desain-desain formal. Namun itu bukanlah standar baku, apalagi saat ini sudah banyak font-font serif bergaya display (unformal) dan insya Allahu ta’ala saya akan menyinggungnya ditulisan kedepan.

“Jika anda merasa artikel ini bermanfaat, mohon di share agar manfaatnya lebih besar.”
– Penulis

Vollkorn

credit: www.awwwards.com

Vollkorn came into being as my first type designing attempt. I published the Regular in 2005 under a Creative-Commons-License. Until the counter finally collapsed two years later it had been downloaded thousands of times and used for web and print matters. It intends to be a quiet, modest and well working text face for bread and butter use. Unlike its examples in the book faces from the renaissance until today, it has dark and meaty serifs and a bouncing and healthy look.

Crimson Text

credit: www.awwwards.com

Crimson Text is a font family for book production in the tradition of beautiful oldstyle typefaces.

There are a lot of great free fonts around, but one kind is missing: those Garamond-inspired types with all the little niceties like oldstyle figures, small caps, fleurons, math characters and the like. In fact, a lot of time is spend developing free knock-offs of ugly “standards” like Times and Helvetica.

Frank Ruhl Libre

credit: www.awwwards.com
Frank Ruhl Libre is an open source version of the classic Hebrew typeface Frank Rühl, the most ubiquitous Hebrew typeface in print. Frank Rühl was designed in 1908 by Rafael Frank in collaboration with Auto Rühl of the C. F. Rühl foundry of Leipzig. A final version was released in 1910. Many Israeli books, newspapers and magazines use Frank Rühl as their main body text typeface.

Playfair Display

credit: www.awwwards.com

Playfair is a transitional design. In the European Enlightenment in the late 18th century, broad nib quills were replaced by pointed steel pens as the popular writing tool of the day. Together with developments in printing technology, ink, and paper making, it became to print letterforms of high contrast and delicate hairlines that were increasingly detached from the written letterforms.

Spectral

credit: www.awwwards.com
Spectral is a new and versatile serif face available in seven weights of roman and italic, with small caps. Spectral offers an efficient, beautiful design that’s intended primarily for text-rich, screen-first environments and long-form reading.

Cormorant

credit: www.awwwards.com
Cormorant is a free display type family developed by Christian Thalmann. The project currently comprises a total of 45 font files spanning 9 different visual styles (Roman, Italic, Infant, Infant Italic, Garamond, Garamond Italic, Upright Cursive, Small Caps, and Unicase) and 5 weights (Light, Regular, Medium, SemiBold, and Bold.) Cormorant was conceived, drawn, spaced, kerned, programmed, interpolated, and produced in its entirety by Christian Thalmann of Catharsis Fonts.

PT Serif

credit: www.awwwards.com

PT Serif™ is the second pan-Cyrillic font family developed for the project “Public Types of the Russian Federation.” The first family of the project, PT Sans, was released in 2009.

The fonts are released with a libre license and can be freely redistributed: The main aim of the project is to give possibility to the people of Russia to read and write in their native languages.

Merriweather

credit: www.awwwards.com

Merriweather was designed to be a text face that is pleasant to read on screens. It features a very large x height, slightly condensed letterforms, a mild diagonal stress, sturdy serifs and open forms.

Best Free Sans Font Family

benomotion November 1, 2019 0

Bismillah. Assalamu’alaikum salam kenal! Pada tulisan pertama ini, saya akan berbagi info yang semoga bermanfaat bagi anda, khususnya teman-teman desainer grafis seperjuangan.

Font adalah bagian dari elemen visual yang memberi pengaruh besar terhadap karakter desain. Karena dengan pemilihan font yang tepat, seorang desainer grafis sangat terbantu dalam memberikan kesan yang dimau kepada publik.

Namun juga kadang desainer grafis mengalami kesulitan dalam menemukan font yang cocok untuk desain yang dibuat, terlepas dari unmood atau skill.

Berdasarkan rating dan pengalaman, saya share sejumlah font yang dinilai cukup membantu desainer dalam berkarya. Font ini dipilih karena memiliki variant yang menawarkan banyak opsi bagi desainer grafis, diantaranya:

  • Regular
  • Bold
  • Light
  • Italic
  • UPPERCASE
  • lowercase
  • Numeric
  • Symbol

“Jika anda merasa artikel ini bermanfaat, mohon di share agar manfaatnya lebih besar.”
– Penulis

Open Sans

credit: www.1001fonts.com

Open Sans is a humanist sans serif typeface designed by Steve Matteson, Type Director of Ascender Corp. This version contains the complete 897 character set, which includes the standard ISO Latin 1, Latin CE, Greek and Cyrillic character sets.

Open Sans was designed with an upright stress, open forms and a neutral, yet friendly appearance. It was optimized for print, web, and mobile interfaces, and has excellent legibility characteristics in its letterforms. A few condensed styles are also available.

Roboto

credit: www.1001fonts.com

Roboto has a dual nature. It has a mechanical skeleton and the forms are largely geometric. At the same time, the font features friendly and open curves. While some grotesks distort their letterforms to force a rigid rhythm, Roboto doesn’t compromise, allowing letters to be settled into their natural width.

This makes for a more natural reading rhythm more commonly found in humanist and serif types.

This is the normal family, which can be used alongside the Roboto Condensed family and the Roboto Slab family.

Source Sans Pro

credit: www.1001fonts.com

Source® Sans Pro, Adobe’s first open source typeface family, was designed by Paul D. Hunt. It is a sans serif typeface intended to work well in user interfaces. There is a sister family Source Serif Pro.

Ubuntu

credit: www.1001fonts.com

The Ubuntu Font Family are a set of matching new libre/open fonts. The development is being funded by Canonical on behalf the wider Free Software community and the Ubuntu project. The technical font design work and implementation is being undertaken by Dalton Maag.

Both the final font Truetype/OpenType files and the design files used to produce the font family are distributed under an open licence and you are expressly encouraged to experiment, modify, share and improve. The typeface is sans-serif, uses OpenType features and is manually hinted for clarity on desktop and mobile computing screens.

The scope of the Ubuntu Font Family includes all the languages used by the various Ubuntu users around the world in tune with Ubuntu’s philosophy which states that every user should be able to use their software in the language of their choice. So the Ubuntu Font Family project will be extended to cover many more written languages.

Argentum Sans

credit: www.1001fonts.com

Argentum Sans is forked from the font Montserrat, version 5.001. The changes are adding a tail on lowercase ‘l’, a more traditional ‘G’, and tabularized numerals.

Argentum Sans is a ‘revival of a revival’, as the Montserrat font suffered two major changes in 2017; as a response, this project was born in January 2018.

Metropolis

credit: www.1001fonts.com

A modern, geometric typeface. Open sourced, and openly available. Influenced by other popular geometric, minimalist sans-serif typefaces of the new millennium. Designed for optimal readability at small point sizes while beautiful at large point sizes. It is released under the SIL Open Font License, v1.1. Update: now with italics.